Outtakes from our shoot with Issue 00 cover star Yona Lee

FashionPrint Magazine

28 Feb

Written By The Art Paper

Photography: Adam Bryce
Creative Direction: Becky Hemus

Yona Lee wears Harris Tapper Wes Shirt in black, Levi's Ribcage Straight jeans, New Balance sneakers.

Yona Lee wears Theory combo knit dress in black, New Balance sneakers.

“Lee’s domestically-scaled artworks are contained, like individual sculptural paintings that could be transported anywhere. Although they often consist of the same foundational materials as her large-scale sculptures—stainless steel pipes and familiar, locally sourced objects—it feels as if the artworks are instruments contributing to a symphony, unlike the larger installations that command and change their surrounding paths."— Shamima Lone on Yona Lee in The Art Paper Issue 00

Yona Lee wears Maggie Marilyn Sunday Kind Of Love Jacket in black, Maggie Marilyn Any Time Any Place Dress in ivory, New Balance sneakers.

Yona Lee photographed for The Art Paper Issue 00. Buy it here Now.

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Outtakes from our shoot with Issue 00 cover star Yona Lee

Yona Lee's sculptural practice combines elaborate linear structures of stainless steel tubing with everyday objects of urban and domestic spaces. Our inaugural Issue 00 features Lee photographed alongside a selection of her sculptures.

In print: George Watson on Robyn Kahukiwa

“Robyn Kahukiwa’s mahi toi is direct and bold, her paintings simultaneously embrace the warmth and richness of Te Ao Māori, of our values, spirituality, and practices whilst also depicting the fraught social realities for many Māori living in colonised Aotearoa,” writes George Watson in Issue 00.

In print: Priscilla Rose Howe on Susan Te Kahurangi King

“We have entered the realm of the otherworldly—the linear, the logical and the structured, folding inward and expanding outward upon the drawing plane. Her way of working has a strong sense of urgency and intuition, her mark-making has a zest that is distinguishably hers,” writes Priscilla Rose Howe on Susan Te Kahurangi King in Issue 00.

In print: Erin Griffey on Claudia Jowitt

“With Fijian heritage on her paternal side, Jowitt literally embeds her family roots––sea and land––into her works by incorporating shells and coral pieces found on the shoreline as well as traditional Fijian materials vau (Hibiscus fibre) and masi (Fijian white tapa),” writes Erin Griffey in Issue 00.

In print: Landshaping: Seeing differently with Conor Clarke, by Maya Love

“With words as her foundation, Conor Clarke walked around her neighbourhood, allowing intuitive associations to guide her choice of site and subject. She used a pinhole camera with no viewfinder, restricting her control over aesthetic choices and allowing for guesswork. The visual is no longer the only means of interpretation. Here, land is something to be smelt, touched, heard, felt and imagined,” writes Maya Love in Issue 00.

Print archive: The void and its parody: Thinking alongside Robert Jahnke’s Whenua kore, by Carl Mika

“Robert Janhke’s sculpture Whenua kore (2019) discloses significant possibilities for mātauranga Māori thought, raising the question of how Te Kore, or nothingness, impinges on our everyday activities,” writes Carl Mika in Issue 00.

fashionNew Zealand artistYona LeeFine Arts SydneyAdam BryceBecky Hemus

The Art Paper

Outtakes from our shoot with Issue 00 cover star Yona Lee

RELATED READING

Timeless Vessels

In print: George Watson on Robyn Kahukiwa